Charamba
A popular Madeiran folk song, usually improvised as a sung duel in quatrains and played on the braguinha, viola de arame and rajão.
A folk song frequently heard in Madeira, above all among country people. It is a simple, unassuming melody made up of eight bars in triple time at a slow pace, alternating with a lively ritornello in duple time. It is usually played in G on the braguinha (small Madeiran four-string guitar, ancestor of the ukulele), accompanied by the viola de arame (wire-strung folk guitar) and the rajão (Madeiran five-string guitar).
The charamba (Madeiran improvised folk song) is most often sung as a contest between two or more people, who trade improvised quatrains and take as their theme the lives of those present, with allusions that may be friendly, or barbed, or even offensive. If tempers are already frayed by frequent drinking and the verses are too provocative, the song may end in a brawl, with the instruments themselves broken over the singers’ heads.
The interesting book by Carlos Santos entitled Tocares e Cantares da Ilha, published in Funchal in 1937, contains a chapter headed ‘O Charamba’, which deals at length with this Madeiran folk song.
In this article
Time
Years mentioned · 01Place
Places mentioned · 01- Funchal
Place of publication of Carlos Santos's book.
The capital of the archipelago and seat of the principal captaincy, where settlement began; it was made a vila c.1451–52. Its bay, the widest in the archipelago, lies between Ponta do Garajau and Ponta da Cruz and offers sheltered anchorage, though its harbour had never been studied oceanographically. The Elucidário discusses it as a health resort with climate data and records the January 1906 disturbances, the Danish prince's visit in May 1846 and recent volcanic cones in the area.
People
People mentioned · 01-
Author of 'Tocares e Cantares da Ilha' (Funchal, 1937), which contains a chapter on the charamba.